Pep Comic
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Pep Comic
Stand Up Comedian: How To Connect With A Crowd
There is no right or wrong answer with how to connect. What works for one comic, may not work for another. Some comedians bound on stage, sounding like cheerleaders leading a pep rally. Others pander with jokes filled with local references. And some use a direct approach by opening with lines like, "What's up fuckers?" or "What are you looking at?"
Connecting with a crowd is just as unique as a comic's manner of delivery. It's a necessary skill that can only be obtained through experience.
Starting a Cold Engine
The whole process of connecting with an audience is similar in manner to trying to start a car engine on a sub-zero, winter morning. You don't know if it's going to start slow, fast or if at all. The engine is like an audience, the comic is like the person starting the car, and the gas pedal and ignition are the connection.
From experience you learn when to lay-off the gas pedal and when to lay-on it. You also learn when and when not to turn the ignition key. Sometimes you think you've got the engine warmed-up and then suddenly it sputters and shuts down. It's a fragile balance that requires a give-and-take that only comes from experience.
Flexibility
Every crowd possesses its own personality, requiring you to read and react. Regardless of which approach you take, you must be ready with plan B if Plan A fails.
For example, if the crowd responds coolly to your opening salvo of jokes, you need to quickly assess: Were the jokes too blue? Were the jokes too clean? Were the jokes too quirky? Were you too direct? Were you on auto-pilot? Do you need to involve the crowd with questions? Whatever you decide, change, commit and then reassess.
Small Audiences One of the biggest mistakes most new comics make with small crowds is to berate them for not being larger, when instead they should be thanking them for showing. It's not their fault. Consequently, instead of connecting, the comic has built a nine-foot high cinder block wall topped with razor wire.
With smaller audiences you should consider opening with a more chummy, conversational tone. But if you sense the crowd members feel self-conscious being involved in your act, and would prefer a more passive role, back off and switch to a more traditional delivery.
Large Audiences
Don't take the stage, but seize the stage. Project a larger than life persona by indicating with your voice and body language that the stage is your office and you're here to work. Any hint of nervousness and the crowd will sense it. Consequently, instead of connecting you're making the audience feel uncomfortable with your presence.
Avoid the rookie mistake of initiating conversation with someone in the front row. It will be clear to the people in front, but you'll lose the back half of the audience who can only hear your side of the dialogue. Play to everyone. Constantly shift focus from left, right, front and back. Bar Audiences
This is not the time to try out your esoteric Nietzsche material. Nor is it the place to open with rambling happy talk. You're mainly dealing with drunken people with limited attention spans. Take the stage swinging. Jump immediately into your act and gain the crowds attention with joke after joke after joke. Only after you've reeled them in should you risk deviating from your act and engaging with the crowd.
About the Author
Logan Parker lives his passion as a standup comic, and he also consults guys to be more charming around attractive women. Learn more Caleb at <a target="_new" href="http://www.TheCollegeCupids.com">http://www.TheCollegeCupids.com</a>.
Pep Comics # 87 Golden Age Comic Book Archie, Betty and Veronica